“‘Pointing at Shadows’: Wallace, Wittgenstein, and the Problem of Putting Pain into Words.” Critique: Studies in Contemporary Fiction 64.2 (2023): 182-94.
Cavell’s Must We Mean What We Say? at Fifty. Co-edited with Juliet Floyd and Sandra Laugier (Cambridge University Press, 2022).
“‘Now I can go on!’: The Collapse of Linguistic Authority in Beckett’s Endgame,” in Literature and its Language: Philosophical Aspects. Ed. Garry Hagberg. Palgrave Macmillan, 2022. 93-110.
Review: A Different Order of Difficulty: Literature after Wittgenstein, by Karen Zumhagen-Yekplé. Modernism/ modernity 28.2 (April 2021): 392-94.
“Of Trips Taken and Time Served: How Ward’s Sing, Unburied, Sing Grapples with Faulkner’s Ghosts.” African American Review 53.3 (Fall 2020): 201-16.
"'Who's "we"?': Claims to Community in Howards End." Modernism/ modernity 27.4 (November 2020): 823-45.
Review: Faulkner and the Native South (Faulkner and Yoknapatawpha, 2016), edited by Jay Watson, Annette Trefzer, and James Thomas, Jr. Journal of Southern History 86.2 (May 2020): 514-16.
“‘Speaking no language which the other understood’: The Search for Acknowledgment in William Faulkner’s South,” in Finite, Singular, Exposed: New Perspectives on Community and the Modernist Subject. Ed. Gerardo Rodríguez-Salas, María J. López, and Paula Martín Salván. Routledge, 2018. 164-80.
Review: Kafka and Wittgenstein: The Case for an Analytic Modernism, by Rebecca Schuman; Wittgenstein and Modernism, edited by Michael LeMahieu and Karen-Zumhagen-Yekplé. Twentieth-Century Literature 64.1 (March 2018): 101-10.
“Acknowledging Addie’s Pain: Language, Wittgenstein, and As I Lay Dying.” Twentieth-Century Literature 63.2 (June 2017): 167-90.
“‘Ah just cant quit thinking’: Modernist Narrative Voice in Faulkner and Ellison.” Arizona Quarterly 71.3 (Autumn 2015): 111-37.